Pedal Feature – Henretta Engineering’s Choad Blaster

henretta1
Hey there.  Hi.  Hello…  Want to hear about a pedal?  No?  Well then what the hell are you doing on my site?  Please leave and go back to looking at cats or whatever it is non-pedal-loving squares look at on the internet.  If you are actually interested in hearing what I have to say please send me $5 via PayPal to continue reading.  Haha jk, I do this out of the good of my heart so maybe you can impress somebody with your vast pedal knowledge.  I want you to sound as good as you look.  Plus, chicks and barnyard animals totally dig pedals.  Just don’t forget where you learned it, son.

I’d like to use your precious internet-surfing poop time to tell you about a great and affordable distortion pedal.  I mentioned it very briefly in a previous post, but now it’s time to give you the full-on hardcore details.

The venerable Choad Blaster, made by Henretta Engineering, for a long time was the only ‘normal’ sized pedal with knobs (the recently released Lake Effect fuzz tremolo and just released Big Zapper envelope filter are exceptions, but that’s another post or two!) they had to offer.  I refer to this pedal as a distortion pedal, which it is to the unenlightened.  But to the true pedal sage it is actually an overdrive, distortion, and fuzz pedal.  You mean you don’t know the diff?  Ok, let me break it down for you, you noob, with a helpful (although poorly edited on their website) explanation from the website of Dr. No Effects:

Overdrive – more mild, transparent gain.  Responsive to how you play/set your amp and tone.  Think Tubescreamer, Klon etc.
Distortion – more intense gain, tends to color your tone.  Think Boss DS-1, ZVex Box of Rock, etc.
Fuzz – more organic, can be aggressive or smooth with nice harmonic character and overtones.  Some can be great for fat, single note lines, others for thick chords and/or octave effects.  Some clean up with the volume knob.  Some are crazy, some are tame. Think Fuzzface, Fuzz Factory, etc.

So then to break it down for you further, the Choad Blaster can offer tones that compete with any of the aforementioned pedals/tones making it difficult to apply one label to this device.  Let’s get on with the pedal then, shall we?

I’m a sucker for knobs (knob-sucker?).  While the Choad Blaster has only 4 knobs (and one internal trim pot), they’re as sensitive as Bill Cosby‘s nipples while committing rape in a pool full of Jello pudding? Paula Deen‘s nipples while basting a turkey? A choad in the wind? A freshly circumsized choad in the wind?  Americans over a tasteless joke?  The Choad Blaster is designed so the EQ knobs adjust frequencies in the guitar’s ideal frequency range (i.e. mids), which allows you to boost or cut the important stuff to shine through the mix.  It doesn’t just work the mids though, the tone knob can dial in the proper bass/treble ratio.  This is truly a ‘one size fits all’ pedal that can be the only source of dirt on your board.  If you’re into looping and can’t afford the luxury of endless pedals at your disposal, the Choad Blaster could be THE pedal you use for any boost/distortion/fuzzyness you need.  It’s important that looped layers sit in different places/frequencies in the mix so they don’t turn into a big muddy ball of shit.  I would also find this useful in a recording studio as you can sometimes get away with strange tones you wouldn’t necessarily use live, but work well in the context of standing out in a mix.

Tweakables:
Green Knob – controls output volume.  This pedal can get so loud it’s like being stabbed in the ear with a choad.  Ouch.  Not that I would know…but your mom would.
Yellow Knob – controls amount of upper-mid frequency gain and gives you a classic British-style crunch.  Sometimes when setting this knob high, it sounds like you’re gonna get a big, fizzy, mid-scooped tone, but it always comes out with surprising crunchy clarity.
Red Knob – controls amount of low-mid gain and turns to mild fuzzyness as you turn it higher.  Could also be named the ‘balls’ knob to stay with the theme of the pedal.
Blue Knob – turn clockwise to add treble and counter-clockwise to add bass.  At noon with the red and yellow knobs turned fully counter-clockwise acts as a transparent boost.  I like to keep mine a little more on the bass side, but it’s nice to be able to choose.  Changes the tone quite drastically from dark and bass-y to bright and treble-y.
Internal trimmer – compresses fuzz more as your turn clockwise.  As you turn it up it gets more into Fuzz Face/Fuzz Factory type territory with octaves appearing on notes played in the upper register, but nothing that glitchy or too crazy.
Switchable Op Amp – Say what?  You can switch out the op amp to customize your tone further?  In the words of Team America, “Fuck yea!”.  I think Kevin Henretta should draw more attention to this feature; it’s kind of hidden at the bottom of the manual.

Let me clearly state that this pedal is neither a gimmick nor a typical distortion pedal (I do admit the name ‘Choad Blaster’ piqued my curiosity to investigate).  It’s simple controls easily let you dial in a wide range of ear hole-pleasing tones.  Overall, this is a great distortion pedal and, to me, it stands out from being just another tube screamer or amp in a box.  Also, if you’re like me and not the biggest fan of fuzz, the Choad Blaster can be your safe trip into fuzz territory, like your trail of bread crumbs so you can find your way out of the fuzz forest.  It’s controls won’t confuse and with the ability to switch the op amp, this pedal can easily take the place of your existing distortions and fuzzes.

I think it was clever to design the Choad Blaster with the ability to distort upper and low mid frequencies.  Seeing how the guitar primarily sits in this part of the frequency spectrum means you have strict control over your tone and where you sit in the mix that would make Kim Jong-un red with envy.  Most distorted guitar tones you hear can be matched by distorting the proper frequency – the Choad Blaster offers this ability.  If your current distortion is blending in with your band, I suggest trying the Choad Blaster on for size (hehe).  Beware however, I’m pretty sure you can’t hold Henretta liable for any torn speakers and/or holes.

For more info check out Henretta’s website.

Check out my video demo:

That’s all for now.  As always, let me know what you think about the Choad Blaster.  Yay or nay?

Thanks for reading!

Love,

Nick
The Pedal File

Advertisements