Hello there! It’s The Pedal File back for more pedal-packed fun! ‘Two posts in one month?’, you’re thinking. I’ve got to try to keep up, you’re a feisty bunch, aren’t you? The reason I write today is to tell you about some great pedals made by some of the little guys in the pedal biznass. I want to remind you not to get swept up on the pedal bandwagon, and that there are some truly hidden gems among the ‘lower’ classes of pedal makers. I’d like to prove that all pedal makers are equal until proven guilty by a court of unhappy customers on a pedal forum. Or something.
VFE Pedals Tractor Beam
VFE stands for Von Rutter Family Effects, started by mathematician/physicist Peter Rutter as a hobby. Not the catchiest of names, but he could have named his company Peepee Poopoo Pedals for all I care. We’re here to talk about pedals and tone, not marketing. The reason I include this company is because they specialize in giving you as many tones in one box as you can handle (seems like more of a disease than a hobby, but I can relate). VFE offers pedals with so much tweakability and versatility, one pedal purchase from them is like buying at least 2 or 3 pedals from your favorite Run Of the Mill Co.
On top of that, you can design your own custom pedal with colors, art, knobs, etc. in their Pedal Wizard, and you can actually submit circuit design ideas to them that they might put into production. One of the coolest things they do though is support any musical artist that uses their pedals. Got a recording with a VFE pedal on it? They’ll put it on the site. The icing on the nipples by far though is when ordering a custom pedal, a percentage of the purchase goes toward an artist that you can choose from their artist program! I can’t even decide how many extra points they get. It’s a lot though.
The Tractor Beam is for those of you who want to dial in an absurd range of phaser sounds. Multiple selectable stages, inverted phasing, the ability to mix phaser and vibe effects together, the option of momentary switching for quick on/off effects, you can even adjust the brightness of your LED for Oprah’s sake! You know what I think? I think Peter Rutter is an alien-human hybrid creature created by the U.S. government to distract us with his tantalizing pedals from what’s really going on. I’m on to you, Mr. Rutter…
Tweakables: Quoted text from the manual.
Speed – “Sets the speed of the phaser. In version 2, we increased the max speed by 50% and doubled the rate of the slowest speed. In order to have a super-wide range that is still easy to dial in, we had pots custom-made specifically for the Tractor Beam.” No expense spared there.
Center – “Sets the center of the phase sweep. Turn counterclockwise for low-end throb, turn clockwise for watery shimmer, and set at noon for a full-range sweep.”
Feedback – “Sets the feedback, which is perfect for those slow, resonant phase sweeps. Clockwise = negative feedback, counterclockwise = positive feedback, 12:00 = zero feedback.”
Mix – “Blends between the dry, unaffected signal and the wet, phase-modulated signal. Because phasers get their sound by the interaction of the dry signal, the 12:00 position will yield the strongest phasing. Turn counterclockwise for a resonant tone with less pitch modulation. Turn clockwise for pitch modulation with less phase resonance.”
Stages – “Selects the number of phase stages. More stages = wider phase sweep. The 3-stage position is inverted, for reverse phase sweeps.” Not like where a play is performed, silly. Stages as in the number of peaks/notches in the phasing signal to give you different phasey tones.
Mode – “Selects the voicing of the phaser. P = synced phase sweep, V = warbling vibe sweep, PV = half phase, half vibe voicing.”
Internal Controls – “The internal LEVEL trimpot sets the output volume. NOTE: The JFET is factory set for maximum phase sweep – DO NOT ADJUST.”
True Soft Bypass – “All VFE Pedals use true bypass relay switching combined with effect-side FET switching. This makes for pure and smooth switching that is rated for a longer lifetime than you.” Well now I feel inferior, but hey that’d be a cool heirloom to pass down…
DualMode Switching – “DualMode is a unique VFE feature that lets you setup the footswitch for momentary operation (press & hold = on, release = off). To activate, wait 5 seconds and then press tap+tap+hold until LED flashes.” Maybe you just want to be able to throw some quick phase on only part of a riff, or even toggle the effect on and off – now you can.
LED Brightness – “Just because we can, there’s an internal trimpot to set the LED brightness just the way you like it.” Not that I ever thought I needed this on a pedal, but I admit there are a few on my board that light up like frickin’ laser beams.
Carling Footswitch – “The part that you step on shouldn’t be made cheap. We use rugged, industrial grade Carling footswitches in all our pedals.” Agreed, I always feel a little sour when a pedal company uses cheap components. Nothing better than a pedal that feels like a brick in your hand.
asduigh984qaubgaiuh49…Sorry, I drooled all over my keyboard and my fingers were slipping.
Check out www.vfepedals.com for more info, but heed my warning: there are lots of pedals and lots of info – you might spend a long time on there. Also check out the video demos by various people who are not me, and please also note that the demo is for the original version that was called the Enterprise.
Alexander Pedals F.13 Flanger
I’ve talked about Alexander Pedals in a previous post, but I just discovered this soon-to-be-released, soon-to-be a wonder of the pedal world: the F.13 Flanger. As I predicted, flangers are coming back y’all, and this is one you should take a hard look at. When I saw that the makers of the Radical Delay have a flanger coming out, it was difficult to contain my excitement, so I went down to my pedal dungeon to blow off some steam. I feel a little better now…
Alexander are another company that doesn’t want to insult your intelligence with copies and clones of everything else. Matthew Farrow is doing his own thing, which enables you to do your own thing in return. It’s sort of beautiful really. The F.13 takes the company a step further in that direction. This flanger has features that I have yet to hear of in another flanger, like step flangering (think step filter) and dynamic flangering(ydingdong) (think envelope filter/auto wah effects in the way your attack/signal triggers the effect). Alexander have already forged a path with their small line of effects in their short existence, and I have to say I’m really excited for them to release more.
Unfortunately there isn’t even a demo video to hear how it sounds (perhaps soon I can fill the void), but I’m confident it will sound awesome. Read on for knobbage.
Rate – “Controls the rate of the low-frequency oscillator (LFO) for the flanger, from glacial to space invaders. Controls the input sensitivity in Dynamic mode.”
Depth – “Controls the maximum LFO sweep. In Step mode, the depth control chooses downward steps, upward + downward steps, upward steps, or random steps. In Dynamic mode, this controls whether the flanger sweeps down (less than noon) or up (greater than noon) based on the input signal.” I really want to hear this thing!
Mix – “Controls the blend between the dry and flanged signal. Equal mix is at 12 o’clock. Hint: Pitch vibrato is available with low Regen settings and fully wet mix.” Very cool, normally flangers don’t have a mix control, but they should because sometimes you want just a little.
Regen – “Adjusts the amount of flanged signal fed back into the modulation. Zero feedback is at noon, clockwise increases the positive feedback for a standard flanger sound. Twist this knob counter-clockwise for negative feedback and a unique “inside out” flange.” I’d sure like to turn this thing inside-out…
Step -“The flanger LFO is forced to “step” to eight different values for transforming robot sounds. Sweeps either up, up + down, down, or random. The random mode is similar to a synthesizer “sample and hold” effect but with flange instead of filter.” Umm, I am seriously interested. Damn you, Alexander, and your temptations.
Sweep – “Traditional flanging is found here. The LFO for the F.13 is actually a “hypertriangular” waveform, so that the flanger spends more time in the interesting portions of the sweep. Hint: Set the Rate control at zero for “filter matrix” style manual flanging. The Depth knob controls the flange position.” I might need a new keyboard, more drool commencing.
Dynamic – “This one is kind of unusual, even for us! The flanger delay time is set by the volume of the input signal. The Rate knob adjusts the sensitivity, to allow for different pickups or effects before the F.13. The Depth knob controls which direction the flanger will sweep when it hears the input signal. Don’t say we didn’t warn you.” I won’t.
And to think flangers couldn’t get any cooler, the F.13 is in my opinion the most enticing to date. I’m impressed by Matthew Farrow’s creativity when it comes to pedal design. It’s apparent that this guy has some experience with what he’s doing, and that each new pedal he makes will most likely be a pleasant surprise for pedal enthusiasts, thus proving that the pursuit of rockin tones will continue on. There’s a perk to giving this company your money too – they’ll put a portion of it toward cancer charity in honor of Mr. Farrow’s brother. Hey and unlike the Red Cross, I bet they actually donate it too!
Alexander only has a small line of other effects so far, but you should check them out. Now. Go on, get! www.alexanderpedals.com
So that’s all for now, kiddies. I hope this will hold you over until next time, but until then feel free to shoot me a comment and tell me what you think, or get at me through my Contact page if you’re a little Anonymous Andy.
Thanks for reading.
The Pedal File