Pedal Feature – Alexander Pedals Radical Delay Demo

Is it time for another post already?  I suppose it is considering you’re reading this and I’ve already written it.  Cause and effect, you know?

So anyway, I’ve got a Radical Delay in my possession to exhibit just for your eyes and ears; therefore I must share what I’ve learned studying this unique specimen up close in my laboratory.  Since I’ve talked about the Radical delay and it’s tweakables in a previous post, I’ll leave most of the details to the demo video and try not to repeat myself, myself, myself….sorry, I’ve gone and repeated myself.  Here’s what I found out:

Alexander PedalsThe Radical is a knob tweaker’s dream and will reward you a king’s ransom for experimenting with settings.  That’s why you’re here right?  To seek out the pedals that will give you unprecedented authority in the tonal realm like you’re a big bank and pedals are a world currency.  Well the Radical Delay is a currency you should be manipulating, you capitalist pig!

This pedal sure can do standard digital delay sounds (10-900ms) with all the dotted eighth note syncopation you could desire.  It’s fun to play licks and have them be augmented by the delay trails into something you did not expect.  From the moment I plugged into the pedal, I was sucked in and immediately inspired – It’s tones made me feel like I was drifting backwards and forwards in time at the same time, as if I was watching an old movie set in the future.  And this was before getting into the remarkable sounding chorus/vibrato modulation, bit crushed synthy sounds, octaves, detune, strange harmonizing fun house mirror Mario on acid circus pitch shifting arpeggios, AND pseudo flange/phase/rotary/organ tones that can be imparted on the wet signal (I think that about covers it!).  No, this delay does not self-oscillate, but more than makes up for it in droves with it’s little tricks and tweaks to delight your ears.  (Don’t worry, turning the time knob while passing a signal through the Radical will still create all those cool twisted warping sounds.)


The Radical also offers some sensational slapback/short delay tones, especially when you start experimenting with the other aforementioned sounds.  It can become much more than just a delay in this way, and is great for adding subtle (or not so subtle) textures/atmosphere to riffs; so much so that it might only be apparent when you turn the pedal off, but trust me, you will quickly turn it back on.

If you’re looking for a straight-ahead digital delay that can do the usual delay tricks, the Radical can handle most of that, but you’re going to miss out on a lot of tonal/textural fun.  As I tried to demonstrate in the video, the Radical runs the full spectrum of subtle to extreme sounds (some that aren’t even actually ‘delay’), and for that reason I think you’d dig this pedal for anything – from your 80’s cover band to your cutting edge post rock, djent polka, ambient disco, space jam, dub step, emo band. I enjoy playing with this pedal immensely, and appreciate it’s ability to make me get lost in it.

If you want to get lost in the black hole of your mind ala Matthew McConaughnamahay in Interstellar, the Radical is your starship (watch out for Matt Damon though).  In other words, buy it!

For more info check out www.alexanderpedals.com

That’s all for now.  Leave me a comment with your thoughts!

Love,

Nick
The Pedal File

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The Pedal File – Some Great Pedals Made by the Little Guys

Hello there!  It’s The Pedal File back for more pedal-packed fun!  ‘Two posts in one month?’, you’re thinking.  I’ve got to try to keep up, you’re a feisty bunch, aren’t you?  The reason I write today is to tell you about some great pedals made by some of the little guys in the pedal biznass.  I want to remind you not to get swept up on the pedal bandwagon, and that there are some truly hidden gems among the ‘lower’ classes of pedal makers.  I’d like to prove that all pedal makers are equal until proven guilty by a court of unhappy customers on a pedal forum.  Or something.

VFE Pedals Tractor Beam

VFE stands for Von Rutter Family Effects, started by mathematician/physicist Peter Rutter as a hobby.  Not the catchiest of names, but he could have named his company Peepee Poopoo Pedals for all I care.  We’re here to talk about pedals and tone, not marketing.  The reason I include this company is because they specialize in giving you as many tones in one box as you can handle (seems like more of a disease than a hobby, but I can relate).   VFE offers pedals with so much tweakability and versatility, one pedal purchase from them is like buying at least 2 or 3 pedals from your favorite Run Of the Mill Co.
The Pedal File - VFE Tractor Beam
On top of that, you can design your own custom pedal with colors, art, knobs, etc. in their Pedal Wizard, and you can actually submit circuit design ideas to them that they might put into production.  One of the coolest things they do though is support any musical artist that uses their pedals.  Got a recording with a VFE pedal on it?  They’ll put it on the site.  The icing on the nipples by far though is when ordering a custom pedal, a percentage of the purchase goes toward an artist that you can choose from their artist program!  I can’t even decide how many extra points they get.  It’s a lot though.

The Tractor Beam is for those of you who want to dial in an absurd range of phaser sounds.  Multiple selectable stages, inverted phasing, the ability to mix phaser and vibe effects together, the option of momentary switching for quick on/off effects, you can even adjust the brightness of your LED for Oprah’s sake!  You know what I think?  I think Peter Rutter is an alien-human hybrid creature created by the U.S. government to distract us with his tantalizing pedals from what’s really going on.  I’m on to you, Mr. Rutter…

Tweakables: Quoted text from the manual.
Speed – “Sets the speed of the phaser. In version 2, we increased the max speed by 50% and doubled the rate of the slowest speed. In order to have a super-wide range that is still easy to dial in, we had pots custom-made specifically for the Tractor Beam.”  No expense spared there.
Center – “Sets the center of the phase sweep. Turn counterclockwise for low-end throb, turn clockwise for watery shimmer, and set at noon for a full-range sweep.”
Feedback – “Sets the feedback, which is perfect for those slow, resonant phase sweeps. Clockwise = negative feedback, counterclockwise = positive feedback, 12:00 = zero feedback.”
Mix – “Blends between the dry, unaffected signal and the wet, phase-modulated signal. Because phasers get their sound by the interaction of the dry signal, the 12:00 position will yield the strongest phasing. Turn counterclockwise for a resonant tone with less pitch modulation. Turn clockwise for pitch modulation with less phase resonance.”
Stages – “Selects the number of phase stages. More stages = wider phase sweep. The 3-stage position is inverted, for reverse phase sweeps.”  Not like where a play is performed, silly.  Stages as in the number of peaks/notches in the phasing signal to give you different phasey tones.
Mode – “Selects the voicing of the phaser. P = synced phase sweep, V = warbling vibe sweep, PV = half phase, half vibe voicing.”
Internal Controls – “The internal LEVEL trimpot sets the output volume. NOTE: The JFET is factory set for maximum phase sweep – DO NOT ADJUST.”
True Soft Bypass – “All VFE Pedals use true bypass relay switching combined with effect-side FET switching. This makes for pure and smooth switching that is rated for a longer lifetime than you.”  Well now I feel inferior, but hey that’d be a cool heirloom to pass down…
DualMode Switching – “DualMode is a unique VFE feature that lets you setup the footswitch for momentary operation (press & hold = on, release = off). To activate, wait 5 seconds and then press tap+tap+hold until LED flashes.”  Maybe you just want to be able to throw some quick phase on only part of a riff, or even toggle the effect on and off – now you can.
LED Brightness – “Just because we can, there’s an internal trimpot to set the LED brightness just the way you like it.”  Not that I ever thought I needed this on a pedal, but I admit there are a few on my board that light up like frickin’ laser beams.
Carling Footswitch – “The part that you step on shouldn’t be made cheap. We use rugged, industrial grade Carling footswitches in all our pedals.”  Agreed, I always feel a little sour when a pedal company uses cheap components.  Nothing better than a pedal that feels like a brick in your hand.

asduigh984qaubgaiuh49…Sorry, I drooled all over my keyboard and my fingers were slipping.

Check out www.vfepedals.com for more info, but heed my warning: there are lots of pedals and lots of info – you might spend a long time on there.  Also check out the video demos by various people who are not me, and please also note that the demo is for the original version that was called the Enterprise.


Alexander Pedals F.13 Flanger

I’ve talked about Alexander Pedals in a previous post, but I just discovered this soon-to-be-released, soon-to-be a wonder of the pedal world: the F.13 Flanger.  As I predicted, flangers are coming back y’all, and this is one you should take a hard look at.  When I saw that the makers of the Radical Delay have a flanger coming out, it was difficult to contain my excitement, so I went down to my pedal dungeon to blow off some steam.  I feel a little better now…

The Pedal File - Alexander Pedals F.13 FlangerAlexander are another company that doesn’t want to insult your intelligence with copies and clones of everything else.  Matthew Farrow is doing his own thing, which enables you to do your own thing in return.  It’s sort of beautiful really.  The F.13 takes the company a step further in that direction.  This flanger has features that I have yet to hear of in another flanger, like step flangering (think step filter) and dynamic flangering(ydingdong) (think envelope filter/auto wah effects in the way your attack/signal triggers the effect).  Alexander have already forged a path with their small line of effects in their short existence, and I have to say I’m really excited for them to release more.

Unfortunately there isn’t even a demo video to hear how it sounds (perhaps soon I can fill the void), but I’m confident it will sound awesome.  Read on for knobbage.

Tweakables:
Rate – “Controls the rate of the low-frequency oscillator (LFO) for the flanger, from glacial to space invaders.  Controls the input sensitivity in Dynamic mode.”
Depth –  “Controls the maximum LFO sweep.  In Step mode, the depth control chooses downward steps, upward + downward steps, upward steps, or random steps.  In Dynamic mode, this controls whether the flanger sweeps down (less than noon) or up (greater than noon) based on the input signal.”  I really want to hear this thing!
Mix – “Controls the blend between the dry and flanged signal.  Equal mix is at 12 o’clock.  Hint:  Pitch vibrato is available with low Regen settings and fully wet mix.”  Very cool, normally flangers don’t have a mix control, but they should because sometimes you want just a little.
Regen –  “Adjusts the amount of flanged signal fed back into the modulation.  Zero feedback is at noon, clockwise increases the positive feedback for a standard flanger sound.  Twist this knob counter-clockwise for negative feedback and a unique “inside out” flange.”  I’d sure like to turn this thing inside-out…

Mode Toggle:
Step -“The flanger LFO is forced to “step” to eight different values for transforming robot sounds.  Sweeps either up, up + down, down, or random.  The random mode is similar to a synthesizer “sample and hold” effect but with flange instead of filter.”  Umm, I am seriously interested.  Damn you, Alexander, and your temptations.
Sweep –  “Traditional flanging is found here.  The LFO for the F.13 is actually a “hypertriangular” waveform, so that the flanger spends more time in the interesting portions of the sweep.  Hint:  Set the Rate control at zero for “filter matrix” style manual flanging.  The Depth knob controls the flange position.”  I might need a new keyboard, more drool commencing.
Dynamic –  “This one is kind of unusual, even for us!  The flanger delay time is set by the volume of the input signal.  The Rate knob adjusts the sensitivity, to allow for different pickups or effects before the F.13.  The Depth knob controls which direction the flanger will sweep when it hears the input signal.  Don’t say we didn’t warn you.”   I won’t.

And to think flangers couldn’t get any cooler, the F.13 is in my opinion the most enticing to date.  I’m impressed by Matthew Farrow’s creativity when it comes to pedal design.  It’s apparent that this guy has some experience with what he’s doing, and that each new pedal he makes will most likely be a pleasant surprise for pedal enthusiasts, thus proving that the pursuit of rockin tones will continue on.  There’s a perk to giving this company your money too – they’ll put a portion of it toward cancer charity in honor of Mr. Farrow’s brother.  Hey and unlike the Red Cross, I bet they actually donate it too!

Alexander only has a small line of other effects so far, but you should check them out.  Now.  Go on, get! www.alexanderpedals.com

So that’s all for now, kiddies.  I hope this will hold you over until next time, but until then feel free to shoot me a comment and tell me what you think, or get at me through my Contact page if you’re a little Anonymous Andy.

Thanks for reading.

Love,

Nick
The Pedal File

The Pedal File: Cool Pedals to GAS Over

Sup homies?  Word on the street is you’re looking for your pedal fix.  I got just what you need and nothing you don’t.

I’ve gathered a small list of some cool shit that is happening now in the world of pedals.  I can’t possibly keep up with all that’s out there, but rest assured I’ve sifted through lots of pedals and selected the ones which excite and titillate the most.  You see, I’m doing all the thinking and searching for you so you just gotta read (assuming you can).  That’s right, just for you.

Recovery Effects Dead Session Filterbank

The Pedal File - Recovery Effects Dead SessionI stumbled across this beauty on Facebook today.  A new pedal from Recovery Effects??  Why yes, it appears that way!  I did a review of the Cutting Room Floor pedal, and I have to say they are one of the most innovative builders out there combining features not normally seen on pedals.  Recovery don’t try to imitate, no.  They’re all about pushing things forward and the Dead Session seems like a hopeful step in that direction.  No info is available except that it is a filterbank pedal ‘strictly for the freakers and tweakers’.  See, it was even made just for you and me.  If you are neither a freaker, nor a tweaker, why are you reading my blog?  Haha just kidding, everyone’s welcome here…………except no gingers.

Will the Dead Session do resonant LFO sweeps like the Sherman Filterbank?  Will it be more like an envelope-follower like a Mutron?  Will it give one ADSR controls to play with?  I don’t know anything I tells ya!  Quit it with all the questions already…  One thing is for sure – I really really want to find out.  And you should too.

You will probably see a demo of this pedal one of these days….

The Pedal File Editor’s update:  According to Mr. Markel, the Dead Session is ,”basically a 2 filter system- 1 resonant filter [with controls for] resonance, course and fine, and a notch filter section with 2 notch filters (hi / lo). The switch engages the 2nd filter.”

Don’t have any idea what that means?  Rather than confuse you, I’ll let the Wickiemedia video explain resonance and notch filters better than I ever could:

Check out Recovery’s website for more cool pedals

Function f(x) Clusterfuzz

The Pedal File - Function f(x) Clusterfuzz
I’m pretty sure I found this pedal through Effects Database, which is the most extensive pedal site out there (check it out if you haven’t!).

Function f(x) is new on the market with only one pedal to offer, but it’s worth taking a look at.  I don’t get into too many fuzz pedals, unless of course they get tweaky.  Described on their website as ‘a tweaker’s delight; capable of delivering medium-gain overdrive up to raunchy square [wave] fuzz tones,’ – you and your momma both know I had to find out more.

As you also probably know, I’m a sucker for anything with too many knobs plus some switches thrown in for good measure.  The Clusterfuzz is not modeled after any particular fuzz, which deserves an extra point.  Too many people out there just want to clone shit and sell it to you with a different label.  In fact, that’s how many pedal companies get started building before moving on to their own designs.  Function f(x) came out strong, showing maybe they aren’t afraid to do something new, which is why I’m telling you about them in the first place.

Tweakables include:
– Five clipping options for different saturation levels (no diode clipping, LED, FET transistors, and two silicon options).  Cool.
– A Filter switch for a second voicing.  Sweet.
– Volume, Tone and Fuzz knobs.  Probably necessary for a fuzz pedal.
– An “8-Bit” knob to dial in gated fuzz sounds.  Super sweet.
– Soft touch bypass.  Yes.  I prefer a soft touch (or momentary) switch on a pedal.  No noisy clicks or anything to clutter your sound upon engagement of pedal.

Check out Function f(x)’s website for more info

 

Alexander Pedals

I want to tell you about this fledgling company because they make very cool delay pedals – specifically The Radical Delay.  Started by Matthew Farrow of Pharoah Amps and Disaster Area Designs (they make awesome MIDI controllers for pedals), Alexander Pedals is off to a great start with a small yet unique line of effects that include another really cool delay pedal, a boost, and tremolo.

The Pedal File - Alexander Pedals Radical DelayThe Radical delay is like the name suggests – you know, different.  This pedal makes sounds that would only be possible otherwise with an effects loop-equipped delay with a bit crusher, phaser, some chorus/vibrato, and pitch shifter, and probably some other stuff thrown in the mix.  If you’re boring you can just have fun with the dotted-eigth note setting for cool rhythmic delays.  If you’re a wild and crazy guy (or gal) you’ll appreciate the gnarly ascending delay effects that sound almost like a Rainbow Machine.

Tweakables:
Time — Adjusts the maximum delay time from 10ms to 900ms.
Repeat — Controls the feedback of the delay.
Tweak — (Extra point for this label.  Also it is the word of the day.  Er, blog.) Tweaks a different parameter in each mode. See the mode descriptions for full details.
Mix — Controls the blend between fully dry and fully wet echo sound. 12 o’clock is an equal mix of clean and echo.

Mode Toggle:
Mod — Super-clean digital delay with adjustable modulation. The Tweak knob adds a luscious modulation to the delay.  At 12 o’clock there is no modulation. Clockwise adds a slow chorus and counter-clockwise adds a fast vibrato.  Chorus and delay sound like angels having orgies in heaven.  Such a pure sound.
Glitch — Pristine digital delay that you can mangle in unusual and interesting ways (I’m into that).  With the Tweak knob fully counter-clockwise, the Radical Delay will echo exactly what you play. Turn the Tweak knob clockwise to add some “ghost in the machine” style glitches and odd pitch modulation (Ok I’m aroused).  And with the Tweak knob fully clockwise, the Radical Delay sounds more like a synthesizer or video game console (And now I’m finished).  It kind of sounds like a bit crusher is added to the delayed signal only, which I have to say again sounds pretty god damn amazing.
Bend — Delay with pitch shifting that’s based on the earliest technology (aliens?) and spirals up or down with each repeat. Turn the Tweak knob counter clockwise to shift the pitch down or clockwise to shift up.  This one sounds kind of like a Rainbow Machine, which also has my ‘sounds god damn amazing’ stamp of approval.

*Hint: Turn the delay time all the way down and the Radical Delay will take on a whole new vibe. In Mod mode, you’ll find analog-flavored chorus. Glitch mode turns into a “bleep bloop” robot machine. And in Bend mode, try blending the dry signal in for glitchy pitch-shifted harmony lines.  Extra extra points for this feature.  The Radical Delay is asking for it, think of all the naughty things you and this pedal can do.

All that and a portion of your money goes to a cancer charity in honor of the builder’s brother Alex (hence the name).  So you can receive an awesome pedal and give some of your money to charity?  I guess that’s cool.

Check out Alexander Pedal’s website for more info.

That’s all I got for now.  Go forth, and live your life knowing you learned about a few more pedals that you should buy.  Just don’t forget who sent you.

Let me know what you think by leaving a comment, or feel free to follow me to get updates on my next post.  Also, I almost forgot, I’ve added a Contact page so you can contact me directly with any questions, suggestions, or bad words you need to get off your chest.  Or on.

Thanks for reading.

Love,

Nick
The Pedal File