Recovery Effects: Cutting Room Floor Demo!

Hello all you tweaked out pedal people!  Time for an update from your favorite pedal peddler who tells you about pedals!  Please contain all excitement to the vicinity of your pants.  After doing my write up about the Recovery Effects Cutting Room Floor, I convinced myself (and probably no one else) that this pedal is really cool and unique and therefore must be acquired.  Now that I’ve thoroughly tweaked, probed, and prodded this pedal I decided I should do a demo video to share with you some of the awesomely weird things it can do – twisted things that a normal innocent pedal probably should not do, like an Amish kid on Rumspringa.

Please watch the demo for a taste:

The Cutting Room Floor is so awesome, in fact, it helped take my band’s (SexyPigDivas) new song to the next level.  There is a trippy breakdown part in said song that needed something I couldn’t put my finger on – like a texture or a certain effect that was eluding me.  On a whim I kicked on the new pedal.  The Cutting Room Floor’s insanely spacey random modulated delay sound was exactly right, materializing what I heard in my head that I didn’t even know I had heard at first!  Now I couldn’t imagine that part of the song without it.  Has a pedal ever done that for you?

Update on tweakables now that I have a feel for them:

Time – sets the delay time from short to long.
Intensity/Modulation – these interact with each other and the delay time control to bring about gritty doubled chorus-y sounds to delay with runaway blastoff yoshi modulation on the repeats – like playing through a maimed & dying tape machine that someone just went all ‘Office Space Office Space‘ on.  At some settings you can also achieve something close to half-step pitch shifts on the repeats.  It sounds like stuff is melting, if melting stuff had a sound.  Man.
Blend – blend the amount of effected signal with your clean signal.  I love this knob on any pedal and I don’t think I have to explain why…  This one is really cool because turned fully clockwise, your clean signal is totally removed.  Crank the delay time and get dizzy while you only hear the delayed part of the signal.  Tweak the time, intensity, & modulation and get ready for some really musically non-musical sounds!
Volume – controls your volume of course, but I noticed that as you turn it up, gain is introduced making the Cutting Room Floor also part distortion pedal.  My only complaint is the pedal volume becomes much louder than your unaffected signal at maximum dirt level.  I think it’d be perfect with separate volume and gain controls, but what do I know?  This can be a good thing, however, in the sense that you can plug anything with a 1/4″ jack into The Cutting Room Floor and find a good volume whether the signal is hot or not.  I found unity gain for my set up at about 1 o’clock.
Stutter/Reverb Toggle Switch – toggles between stutter and reverb modes.  Stutter mode is like turning the repeat knob (there isn’t one on this pedal) all the way up.  Near endless repeats that slowly decay and don’t self-oscillate.  This mode is awesome if you’re a sucker for atmosphere.  Reverb mode switches the delay to one repeat so you can get really great slap back delay/echo as well as doubling/chorus-y effects.
Freeze Momentary Stomp Switch – Only works when reverb mode is selected.  Stomp on the momentary switch to make the delay repeat as long as you’d like or only for a moment.  As you hold this down, the repeats layer, build, and become all gritty and bit-crushed until you think your amp might be exploding.  Hopefully it isn’t.

As you can see the Cutting Room Floor can play nice, but deep down it’s a dirty and debased delay/modulation/distortion pedal.  With this one pedal you can create tones and textures that will surprise traditionalists and noisies alike.  Just beware – I sure wouldn’t want to be left alone with it…  For instance, every time I put it away in it’s place I awake the next morning to The Cutting Room Floor waiting outside my bedroom door, and I swear it moves when I’m not looking.  Plus this one time a nice old lady told me that it tried to steal her handbag.  I told her this was a good pedal and it would never do that.  But I can feel there is something not quite right about it.  I’m sure it’s possessed or something.  Possessed with awesomeness!

For more info check out:  Recovery Effects

So what do you think of this beast, my friends?  Has anyone made the purchase based on my review?  Would you put it on your board?  Or would you chase it out of town with torches and pitch forks?  Let me know!!!

That’s all for now!  Thanks for reading.

Love,

Nick
The Pedal File

Recovery Effects: Cutting Room Floor

Greetings, I come in peace.  Unless you are an effects pedal – then I wish to become your owner and make you a slave unto me.  I’m not sure why I feel the need to open every post like this, it just kind of happens when I’m alone with my thoughts and a computer…

logo-web-banner

But anyway, today I’d like to direct your attention to one of the weirdest and most interesting pedals I’ve seen in a while.  On top of being point-to-point hand-wired with no printed circuit board, I’m not even sure how to classify it because it combines functions not normally seen in one pedal.  Possibly ever.  The Recovery Effects Cutting Room Floor is a pedal designed by someone who isn’t afraid to really get dirty with experimentation (and I’m pretty certain this is expected of the user considering the unorthodox tones that can be brought forth).  This effect is like frankenstein, built of parts that never belonged together in the first place and brought to life through ritual black magic and a big tesla coil shooting lightning bolts into it.  I’m not even sure if Graig Markel, the mad scientist behind Recovery Effects, has even realized the monstrosity he’s unleashed on the world.  And now it’s too late….  The Cutting Room Floor is upon us.

Recovery Effects bills this pedal as a glitch, pitch, echo, modulation pedal.  Here’s a description in their own words:  “[The Cutting Room Floor]…offers mountains of wild modulation, delay, freeze and stutter.  Anything from light lo-fi chorus to broken-tape-deck sounds can be achieved with this unique pedal. Melt, then freeze tones in place, or use it as a gritty echo or faux reverb.”  At first I wasn’t quite sure how to interpret that description or the list of features for that matter.  Then I thought about the name – Cutting Room Floor, which is a film industry expression referring to edited portions of footage not used in the final edit of a film.  So you see, this pedal is like taking small bits of different effects units and jamming them into one nice tight enclosure.  Do the pieces belong together?  Maybe not, but it’s companies like Recovery that are raising the bar by re-imagining effects in a market overrun with clones and modifications.   And that my friends is what makes me feel all warm and fuzzy on my insides.

The Pedal File - Recovery Effects Cutting Room Floor

Tweakables:
*Don’t quote me on any of this since I don’t have a manual to use as reference.  Basically, I’m typing out my ass right now.  Just don’t smell my keyboard….

Time – sets the delay time.  Probably something like one or no repeats at minimum up to a 1000 ms at the max?
Intensity – sounds like it controls the amount of pitch shifts only on the repeats, like a modulated delay but the pitch shifting is random like someone (or something??) is cranking an invisible delay time knob up and down on the repeats.  This control (I think) can make sounds like hatching a Yoshi in Super Mario. Awesome.
Modulation – controls oscillation or rise and fall (like a sine wave) of the delayed repeats.
Blend – to blend or mix in your clean unaffected signal.  And yes, I do always have to point out that I really like this knob on any pedal.  And yes, stupid, I like it because it provides a lot more versatility than an effect that is ‘all or nothing’.  (I kid, you’re not really stupid…I mean, you can read, right?  If you’re American, that’s pretty damn good!!)
Volume – duh, to control how loud this naughty pedal can get.  Not sure if it goes above unity gain or not.
Stutter/reverb toggle switch – switches between stutter or reverb.  I can’t be sure how the stutter is controlled, but I get the feeling it makes the repeats cut off abruptly to make them sound choppy and tremolo like?  I think you press the freeze button and it momentarily engages the opposite function of what is selected by the toggle switch.  The freeze button also sounds like it slams and/or pounds the delay time knob causing crazy lo-fi tape delay self oscillation whirlpools that can suck you down faster than if you were caught alone in a dark alley with Justin Bieber.

Since I don’t have a manual or much to reference, you should definitely watch Recovery’s video and see for yourself.  It’s short, and I get the feeling it only scratches the surface of what this pedal can do.  Feel free to leave a comment and tell me what you think!  I think noisy noise heads would probably love this pedal as they can expect it to do a bunch of crazy things loosely related to delay, reverb, and unpredictable pitch shifting anarchy.  I love all the sounds on the video from the slap back garage verb, to the ambient chorus/reverb, to the lo-fi analog delay, and of course the ‘slamming the tape head’ crazy oscillating helicopter sound.  Anyone who is looking for that weird or experimental tone for their board should deeply consider owning this pedal.  I know I am as I would love to see everything The Cutting Room Floor can do.

Check out Recovery Effects’ website for more info.  As always, feel free share your opinions in the comment box below!  Oh and I almost forgot.  Head over to the Look page to see some cool new pedal acquisitions!

That’s all for now.  Thanks for reading!

Love,

Nick
The Pedal File